Op.1 No.1, this is my first composition that I decided to be recognized as my serious work. Before it I had written another works but with this composition I could very outstandingly show the disciplines of composing like A Composer.
However Prelude & Fugue in b for Piano sounds similar to Baroque music but some of its traits are unrelated to that music; for example B flat in the bar 1 is showing an enharmonic assumption toward tone A sharp in B minor tonality, something that later I named Permanent Enharmonic.
Writing for Choir is usually problematic, specially because of disability of many choirs in singing compositions outside tonality. Here A Return to the Past has solved the problem.
Whisper presents a broad range of Musical Figure possibilities for interpreting the text. Here you can listen only the first tempo of Whisper.
While we are scrolling through Instagram mostly as a visual phenomenon, ourselves and other people around us are hearing something like this as a sonic phenomenon. I think this is music of our moment; full of any kind of sound, abstractness, and silence that as the key of form joins all to all. After that we are playing an instrument or the same cellphone!
Composed on 20/02/2007 it is one of my initial attempts for writing music out of Classical Aesthetic. Mohammadhadi Esmaili and I performed it at that time, while 5+0.5 Preludes for Viola & Guitar superficially is incomplete; So you can see it does not have dynamic signs generally or No.6 is in its half and No.5 is a sonic surprise! With this shape, it is complete for me because my research about music out of Classical Aesthetic has continued until now.
Because of the parallel intervals between the vocal lines, this composition for Choir and Pianocould sound like Middle Age music, however I prefer to mention it as Holy Minimalist music.