This composition is related to a special period of my life. The heart was full of love to life while I was frightened about death. An afternoon I decided to compose and very soon in a few days I had An Angel in 4 movements for String Orchestra.
First version of this composition is finished on 12/19/2010. Its harmony is based on my special technique named Permanent Enharmonic so that I have flexibly utilized tones in various chords according to various enharmonic assumption to them.
This composition has a very nostalgic atmosphere and I think Eternal Feel could present a noble understanding of Adagio to classical music repertoire. Only you have to listen it!
Composed on 2/4/2008, A Tragic Life is one of my first attempts to write music for Symphony Orchestra, however I think it could sound my special technique in controlling material to be utilized to the extreme level that is possible.
My Permanent Enharmonic technique to some extent shows itself here. The tonal atmosphere is a little vague from the beginning but in the final clear that could be in contrast to tragedy conception, however I think it depends on the listener's assumption about quality of a tragic life.
Like Adagietto above, that is based on the narrow abilities of a temporary String Orchestra and for this reason, aesthetic balance is made by the interesting usage of timbres.
The conditions of location wherein A Composer lives are very important in writing music; for example abilities of players and even their disabilities in the case of writing contemporary music.
Here I have tried to show this importance in the form of an Adagietto for one of the String Orchestras in Rasht, my living town. it is based on the narrow abilities of the players and for this reason I have tried to make aesthetic balance by strong structure.